Some background information about how 108 Koans came to be and what I was trying to achieve.

Some background information about how 108 Koans came to be and what I was trying to achieve.
It’s the five year anniversary of 108 Kōans! And I have stuff to say about it.
I recently made the framework for a flower wall that Snapdragon Studio will use for weddings. Making it was fairly simple; basically I used two pieces of peg board bolted to a couple 1″×4″s (check out the bottom of the post for more details). The fun part was making sure that it was quick, easy, and obvious to put together and take apart.
There are a lot of moving parts when setting up flowers for a wedding, and I didn’t want the Snapdragon folks worrying about “Crap, we forgot the socket wrench for the flower wall!” I used wingnuts to fasten the bolts, so the whole thing can easily be put together by hand.
Ideally, the orientation of the boards wouldn’t matter—you could put either board on either side in any orientation and it would still work. Unfortunately, that wasn’t possible because boards I was working with weren’t straight. :/ So I had to ensure that the boards would be put together the right way with … LABELS!
The key thing to keep in mind here was to not make all the labels too overwhelming. I started by labeling the top and bottom of the boards with text labels and arrows. Easy enough.
I marked the middle where the two pegboards meet with text and arrows. I also marked the two pieces with diagonal lines that align when the pieces are matched correctly. (I learned that trick from my dad when he helped me put in some laminate flooring.)
For the placement of the two boards, I didn’t use “left” and “right” because 1) that’s too much text, and 2) left and right are confusing when you can look at something from the front or the back. So, I opted to mark the two boards with two different shapes. The same symbols on the pegboard indicate the correct placement. This works great because it’s less of a cognitive load to match shapes than to read and interpret text. You can do it without thinking about it.
Finally, if you’re interested here are all the requirements I had to meet and the solution I came up with.
Additionally, I put on my UX designer hat and added some more considerations:
I have been learning how to create virtual reality scenes through Udacity’s VR Developer Nanodegree. A lot of my Interactive Media students have been interested recently in 3D design, and I have been wanting to learn more about Unity for game design, so this seemed like a good opportunity to get familiar with both. I’m not sure what I’ll ultimately do with virtual reality—maybe a virtual art installation or an interactive narrative. I’m actually more interested in augmented and mixed reality, but I’ll save that for another post. Right now, I’m having fun just kind of playing around with VR and learning some new skills.
So far I’ve completed two VR projects. The first was just a basic “Hello World” type project in which I worked out all the frustrating kinks of getting my development environment working and successfully deploying to an Android phone. The second project was a little more interesting—it’s a virtual reality apartment.
You can’t do anything other than move around and look at the furniture. But it’s exciting to be creating a place on my laptop, and then be in that place.
The most challenging thing about this project was getting everything aligned perfectly so nothing is overlapping and objects are sitting right on top of other surfaces. You’d think there would be an easy shortcut for this, but it’s more difficult than it sounds (at least with my current knowledge of Unity). I had a lot of success with vertex snapping, but with some objects that didn’t quite do the trick and I ended up just eyeballing it.
If you know how to install an APK file on your Android phone and you have a Google Cardboard viewer, you can check out the scene for yourself. It’s up on my github.